Notice
As with nearly all Ozma recordings, all instruments are tuned 1/2 step down.
Keyboards: Two different patches on the CT-700 are used, one is the echoey tone featured on the intro and outro, the other is Ozma's workhorse "nintendo" sound, which can be heard on every other song on the album.
Rhythm Guitar: during the pre-verse/verse section, guitarist Jose Galvez plays close to his Marshall JCM 900, and uses legato slides to hit every octave or chord figure without using his picking hand at all. This generates the great feedback sounds heard on the recording. The rest is fairly straightforward power-chording.
Lead Guitar: The solo was recorded in two seperate sections (the octave part, then the improvised wailing), but it shouldn't be a problem when playing live. Additionally, the semi-clean sounds in the verses were recorded seperately, but don't really overlap, save for one spot that is marked in the transcription.
MIDI note: In order to reserve room for the keyboard and bass sounds, i had to re-use some of the guitars in certain sections. So you shouldn't heed the Gtr In signs too much. I tried to mark where the tones change as much as possible.